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2024-03-07 18:56:45

逃出绝命镇 (豆瓣)

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逃出绝命镇 Get Out

(2017)

导演: 乔丹·皮尔

编剧: 乔丹·皮尔

主演: 丹尼尔·卡卢亚 / 艾莉森·威廉姆斯 / 凯瑟琳·基纳 / 布莱德利·惠特福德 / 卡莱伯·兰德里·琼斯 / 马库斯·亨德森 / 贝蒂·加布里埃尔 / 勒凯斯·斯坦菲尔德 / 斯蒂芬·鲁特 / 里尔·莱尔·哈瓦瑞 / 艾希礼·勒孔特·坎贝尔 / 卡伦·L·拉基 / 朱莉·安·多恩 / 杰拉尔丁·辛格 / 理查德·赫德 / 埃里卡·亚历山大

类型: 悬疑 / 惊悚 / 恐怖

官方网站: www.getoutfilm.com

制片国家/地区: 美国

语言: 英语

上映日期: 2017-01-23(圣丹斯电影节) / 2017-02-24(美国)

片长: 104分钟

又名: 访‧吓(港)

IMDb: tt5052448

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395114人评价

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好于 94% 惊悚片

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如何评价电影《逃出绝命镇》? - 知乎

如何评价电影《逃出绝命镇》? - 知乎首页知乎知学堂发现等你来答切换模式登录/注册电影黑人如何看待/评价TA逃出绝命镇（电影）如何评价电影《逃出绝命镇》?由黑人导演乔丹·皮尔自编自导的惊悚新作《逃出绝命镇》以黑马之势博得众人眼球，该片在北美影评人云集的烂番茄网址上，收获134条评论，全部都给出新鲜番茄，…显示全部关注者70被浏览336,417关注问题写回答邀请回答好问题 1添加评论分享32 个回答默认排序虚若影真男人从来不匿关注这部电影精彩的地方在于全程埋下的伏笔，只有当你看完全片回过神来思考你才会发现：原来如此！电影原名get out，国内翻译成逃出绝命镇，老实说，翻译成这个名字更吸睛，但是从片名上就暴露了这个电影的剧情，而原名getout你看不出这个电影是一部什么类型的电影，当你看完会给你更大的惊喜。get out这个名字是取决于片中一个黑人恢复自己的意识是对男主大吼：getout（滚、滚开、走开、滚远点），看上去是在凶男主，实际上是叫男主赶快逃跑远离此地。而片中诸多伏笔是最精彩的地方：1、黑人男友白人女友决定回家见父母，女主强调家里人没有种族歧视。2、回家是女主开车不是男主，还是林肯suv，这女的咋这么有钱，黑人只是一个“眼光独到的”摄影师，在女主面前应该也算是个屌丝吧。3、路上警察要检查男主的身份证，女主强烈阻止，表面看似女主维护男主，实际上是女主担心警察检查了他的身份证，今后男主失踪了警察就会发现最后和男主在一起的人是女主。4、到家了，这家人是豪华别墅还带运动场，这种土豪对黑人居然没有歧视，不可思议。5、女主父亲反复强调没黑人没有歧视，如果还能第三次投票还会投给奥巴马。艹，难得打字了不说了。。。总之伏笔太多，最后聚会那个瞎子坐在一边，其实他就是看中了男主的眼睛，有独到的观察能力，他这次拍卖可以说是势在必得，就是要将自己的大脑换到男主的脑袋里面拥有男主的身体，从而让他拥有视力。女主一家就是从事贩卖人体器官的勾当，他们这个群体非常崇拜黑人与生俱来健壮的身体，女儿负责引诱身体健壮的黑人，母亲负责催眠，儿子负责打手，父亲负责开颅手术。父亲中途提到男主吸烟的问题，吸烟对身体不好，有损了他的身体器官，只有健康的身体才能卖好价钱啊。编辑于 2021-10-14 09:13赞同 11818 条评论分享收藏喜欢收起远方微信公众号“抽屉电影”（choutim）关注黑人小伙灵魂被换，奥巴马看完不敢说再见617 播放发布于 2023-08-09 15:27· 98 次播放赞同添加评论分享收藏喜欢

GET OUT中文(简体)翻译：剑桥词典

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英语-中文（简体）

get out 在英语-中文（简体）词典中的翻译

get out phrasal verb with get verb uk

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/ɡet/ us

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/ɡet/ present participle getting | past tense got | past participle got or US usually gotten

(LEAVE)

Add to word list

B1 to leave a closed vehicle, building, etc.

车;出去;出来

I'll get out when you stop at the traffic lights.

你在红绿灯那儿停车时我就下去。

更多范例减少例句Hold the door open so that I can get out.Do you want to get out?The driver stopped the car at the side of the road and got out.I banged my head as I was getting out of the car.They ran to the fire exits in a desperate attempt to get out.

(VISIT PLACES)

C1 to go out to different places, spend time with people, and enjoy yourself

外出参加社交活动

We don't get out much since we had the children.

自我们有了孩子后，就不大外出参加社交活动了。

(BECOME KNOWN)

If news or information gets out, people hear about it although someone is trying to keep it secret.

（消息或信息）泄漏，被人知道

I don't want it to get out that I'm leaving before I've had a chance to tell Anthony.

在我找到机会亲自告诉安东尼前，我不想让人知道我要离开。

get (someone/something) out phrasal verb with get verb uk

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/ɡet/ us

Your browser doesn't support HTML5 audio

/ɡet/ present participle getting | past tense got | past participle got or US usually gotten

C1 to (help someone or something to) escape from or leave a place

（帮…）逃离，离开

I left the door open and the cat got out.

我没有关门，结果猫跑出去了。

A team of commandos got the hostages out from the rebel base.

一队突击队员从叛军基地把人质解救了出来。

更多范例减少例句Rescuers managed to get all the residents out before the building collapsed.The firemen were called to get the cat out put of the tree.The prisoners got out through a hole in the fence.Helicopters were used to get the troops out of the region.The fire was so severe that no one got out alive.

get out! idiom US informal (UK old-fashioned get away (with you)!)

said when you do not believe or agree with what someone is saying

（表示不相信或不同意）去你的吧！别胡扯啦！瞎扯！

"Ralph painted that, you know." "Get out!"

“你知道吗，那画是拉尔夫画的。”“瞎扯！”

(get out在剑桥英语-中文（简体）词典的翻译 © Cambridge University Press)

B1,C1,C1

get out的翻译

中文（繁体）

離開, 車, 出去…

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西班牙语

bajarse, salir, irse…

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descer, sair, ser revelado/-da…

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(बंद वाहन, भवन आदि से) बाहर निकलना, (मनोरंजन हेतु) बाहर जाना…

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વાહનમાંથી ઉતરી જવું, બહાર નીકળવું, જવું…

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slippe ud, komme frem…

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باہر نکلنا, اترنا, باہر جانا…

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виходити, стати відомо…

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выходить, высаживаться, выходить из дома (чтобы развлечься)…

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మూసివేసిన వాహనం, భవనం మొదలైనవాటిని వదిలివేయడం, వేర్వేరు ప్రదేశాలకు వెళ్లడానికి…

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utéci, odejít, rozšířit se…

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keluar, diketahui…

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หนี, เป็นที่รู้…

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wysiadać, wychodzić z domu, spotykać się z ludźmi…

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get out的发音是什么？

在英语词典中查看 get out 的释义

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get on top of someone idiom

get on with something

get on your high horse idiom

get on your soapbox idiom

get out

get out of bed (on) the wrong side idiom

get out of here! idiom

get out of my face! idiom

get out of my sight! idiom

get out更多的中文(简体)翻译

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get-out clause

get-out-of-jail-free card

get out of something

get out!, at get away (with you)!

get something out of something

get something out of someone

be/get yourself togged up/out

查看全部意思»

词组动词

get out of something

get something out of something

get something out of someone

查看全部动词词组意思»

惯用语

get out of here! idiom

pull/get your finger out idiom

get a rise out of idiom

get out of my face! idiom

get out of the road! idiom

get out of my sight! idiom

get bent out of shape idiom

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“每日一词”

veggie burger

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/ˈvedʒ.i ˌbɜː.ɡər/

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/ˈvedʒ.i ˌbɝː.ɡɚ/

a type of food similar to a hamburger but made without meat, by pressing together small pieces of vegetables, seeds, etc. into a flat, round shape

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Get Out (2017) - IMDb

Out (2017) - IMDb

MenuMoviesRelease CalendarTop 250 MoviesMost Popular MoviesBrowse Movies by GenreTop Box OfficeShowtimes & TicketsMovie NewsIndia Movie SpotlightTV ShowsWhat's on TV & StreamingTop 250 TV ShowsMost Popular TV ShowsBrowse TV Shows by GenreTV NewsWatchWhat to WatchLatest TrailersIMDb OriginalsIMDb PicksIMDb SpotlightIMDb PodcastsAwards & EventsOscarsSXSW Film FestivalWomen's History MonthSTARmeter AwardsAwards CentralFestival CentralAll EventsCelebsBorn TodayMost Popular CelebsCelebrity NewsCommunityHelp CenterContributor ZonePollsFor Industry ProfessionalsLanguageEnglish (United States)LanguageFully supportedEnglish (United States)Partially supportedFrançais (Canada)Français (France)Deutsch (Deutschland)हिंदी (भारत)Italiano (Italia)Português (Brasil)Español (España)Español (México)AllAllTitlesTV EpisodesCelebsCompaniesKeywordsAdvanced SearchWatchlistSign InSign InNew Customer? Create accountENFully supportedEnglish (United States)Partially supportedFrançais (Canada)Français (France)Deutsch (Deutschland)हिंदी (भारत)Italiano (Italia)Português (Brasil)Español (España)Español (México)Use appCast & crewUser reviewsTriviaFAQIMDbProAll topicsGet Out2017R-131h 44mIMDb RATING7.8/10688KYOUR RATINGRatePOPULARITY3116Play trailer2:3334 Videos99+ PhotosHorrorMysteryThrillerA young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.A young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.A young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.DirectorJordan PeeleWriterJordan PeeleStarsDaniel KaluuyaAllison WilliamsBradley WhitfordSee production info at IMDbProIMDb RATING7.8/10688KYOUR RATINGRatePOPULARITY3116Top creditsDirectorJordan PeeleWriterJordan PeeleStarsDaniel KaluuyaAllison WilliamsBradley Whitford2KUser reviews441Critic reviews85MetascoreSee production info at IMDbProWon 1 Oscar153 wins & 213 nominations totalVideos34Trailer 2:33Watch Trailer #1Clip 3:46Watch Jason Blum: A Brief History of BlumhouseClip 3:15Watch The Rise of Oscar Winner Daniel KaluuyaClip 1:14Watch ClipClip 0:58Watch Chris Notices Something WeirdClip 0:53Watch Police Ask Chris For I DClip 0:42Watch Dean Asks About DatingClip 0:35Watch Two Party GuestsClip 1:09Watch Get Out: Chris Tells Rod He Was HypnotizedClip 0:54Watch Get Out: Chris Notices Something Weird About LoganClip 0:31Watch Get Out: Two Party Guests Ask Rose About ChrisClip 0:38Watch Get Out: Dean Asks Chris And Rose How Long They've Been DatingPhotos249Top castEditDaniel KaluuyaChris WashingtonAllison WilliamsRose ArmitageBradley WhitfordDean ArmitageCatherine KeenerMissy ArmitageCaleb Landry JonesJeremy ArmitageMarcus HendersonWalterBetty GabrielGeorginaLaKeith StanfieldAndre Logan KingStephen RootJim HudsonLil Rel HoweryRod WilliamsAshley LeConte CampbellLisa DeetsJohn WilmotGordon GreeneCaren L. LarkeyEmily Greene(as Caren Larkey)Julie Ann JonesApril Dray(as Julie Ann Doan)Rutherford CravensParker DrayGeraldine SingerPhilomena KingYasuhiko OyamaHiroki TanakaRichard HerdRoman ArmitageDirectorJordan PeeleWriterJordan PeeleAll cast & crewProduction, box office & more at IMDbProMore like this6.8Us7.3Hereditary7.3It7.3Split7.1Midsommar6.8Nope7.5The Conjuring7.0El hoyo7.5A Quiet Place7.2The Menu7.6American Psycho7.0The VVitch: A New-England FolktaleStorylineEditDid you knowEditTriviaDaniel Kaluuya was given the lead role on the spot after nailing his audition. Writer, co-producer, and director Jordan Peele said Kaluuya did about five takes of a key scene, in which his character needs to cry, and each was so perfect that the single tear came down at the exact same time for each take.GoofsWhen Rod searches for information on Andre Hayworth, the second result is a page titled "How to report a missing person." However, in the close-up, the excerpt from the page shows instructions on how to feed a dog.Quotes[last lines] Rod Williams: I mean, I told you not to go in that house. I mean...Chris Washington: How you find me?Rod Williams: I'm TS-motherfuckin'-A. We handle shit. That's what we do. Consider this situation fuckin' handled.ConnectionsFeatured in Late Night with Seth Meyers: Anna Kendrick/Jordan Peele/Old 97's/Andres Forero (2017)SoundtracksRun Rabbit RunWritten by Ralph T. Butler and Noel GayPerformed by Flanagan and AllenCourtesy of Decca Music Group LimitedUnder license from Universal Music EnterprisesUser reviews2KReviewReviewFeatured review8/10 Delivering both on the expectations of the genre and the comedic expectations of a Jordan Peele creation, GET OUT is simply amazing.Jordan Peele's directorial debut is an exhilarating horror thriller that also manages to spark laughter and comment on social issues. The cinematography, tropes, and soundtrack echo horror, but the film finds abundant moments of comic relief like when a father reassures the main character he isn't racist by claiming, "I would have voted for Obama for a third term." Before the plot delves into a traditional horror frenzy, it mines the horrors of racism. The social commentary plays on audience expectations and results in both humor and suspense. Delivering both on the expectations of the genre and the comedic expectations of a Jordan Peele creation, GET OUT is simply amazing.helpful•134108shawnwuFeb 21, 2017Top picksSign in to rate and Watchlist for personalized recommendationsSign inFAQ1Will there be a sequel?DetailsEditRelease dateMarch 15, 2017 (Philippines)Countries of originUnited StatesJapanOfficial sitesMonkeypaw Productions (United States)Official FacebookLanguagesEnglishSwahiliAlso known asTrốn ThoátFilming locationsFairhope, Alabama, USAProduction companiesUniversal PicturesBlumhouse ProductionsQC EntertainmentSee more company credits at IMDbProBox officeEditBudget$4,500,000 (estimated)Gross US & Canada$176,196,665Opening weekend US & Canada$33,377,060Feb 26, 2017Gross worldwide$255,745,157See detailed box office info on IMDbProTechnical specsEditRuntime1 hour 44 minutesColorColorSound mixDolby DigitalSDDSAspect ratio2.39 : 1Related newsContribute to this pageSuggest an edit or add missing contentIMDb Answers: Help fill gaps in our dataLearn more about contributingEdit pageMore to exploreListStaff Picks: What to Watch in MarchSee the listListIMDb Staff's 2024 Oscar PredictionsSee our predictionsListHillary's 6 Picks for March and BeyondSee the full listRecently viewedYou have no recently viewed pagesGet the IMDb AppSign in for more accessSign in for more accessGet the IMDb AppHelpSite IndexIMDbProBox Office MojoIMDb DeveloperPress RoomAdvertisingJobsConditions of UsePrivacy PolicyYour Ads Privacy ChoicesIMDb, an Amazon company© 1990-2024 by IMDb.com, Inc.Back to top

逃出绝命镇_百度百科

镇_百度百科网页新闻贴吧知道网盘图片视频地图文库资讯采购百科百度首页登录注册进入词条全站搜索帮助首页秒懂百科特色百科知识专题加入百科百科团队权威合作下载百科APP个人中心逃出绝命镇播报讨论上传视频美国2017年乔丹·皮尔执导电影《逃出绝命镇》是由美国杰森·布朗姆工作室制作，由乔丹·皮尔执导，丹尼尔·卡卢亚、艾莉森·威廉姆斯、凯瑟琳·基纳联合主演的恐怖惊悚片。该片于2017年2月24日在美国上映。该片讲述了黑人小伙子克里斯与白人女友露丝在相处阶段时，发现了自己落入了一个邪恶的种族阴谋当中的故事。2018年2月12日，2018美国编剧工会奖颁发，《逃出绝命镇》荣获电影类最佳剧本。2018年3月5日，获得第90届奥斯卡金像奖最 ... >>>主要演员丹尼尔·卡卢亚艾莉森·威廉姆斯凯瑟琳·基纳布莱德利·惠特福德精彩图集词条图册概述图册剧照目录1剧情简介2演职员表▪演员表▪职员表3角色介绍4音乐原声5获奖记录6制作发行▪主创公司▪上映日期7影片评价8相关报道9大众评分基本信息《逃出绝命镇》是由美国杰森·布朗姆工作室制作，由乔丹·皮尔执导，丹尼尔·卡卢亚、艾莉森·威廉姆斯、凯瑟琳·基纳联合主演的恐怖惊悚片。该片于2017年2月24日在美国上映 [1]。该片讲述了黑人小伙子克里斯与白人女友露丝在相处阶段时，发现了自己落入了一个邪恶的种族阴谋当中的故事。2018年2月12日，2018美国编剧工会奖颁发，《逃出绝命镇》荣获电影类最佳剧本。 [2]2018年3月5日，获得第90届奥斯卡金像奖最佳原创剧本。 [3]中文名逃出绝命镇外文名Get Out类型恐怖、惊悚出品公司Blumhouse制片地区美国发行公司环球影业（美国）导演乔丹·皮尔编剧乔丹·皮尔制片人杰森·布朗姆主演丹尼尔·卡卢亚、艾莉森·威廉姆斯、凯瑟琳·基纳片长103 分钟上映时间2017年2月24日（美国）对白语言英语色彩彩色imdb编码tt5052448 [4]主要奖项第90届奥斯卡金像奖最佳原创剧本制片成本5000000 美元剧情简介播报编辑克里斯（丹尼尔·卡卢亚饰）黑人男青年，他和白人女孩露丝（艾莉森·威廉姆斯饰）正在恋爱当中，为了能让关系更进一步，他们打算让各自的父母能见一下。克里斯被露丝邀请去她父母家共度周末，一切看起来都没有什么不对的地方。当克里斯遇到露丝的父母时，发现对方对自己的态度甚是热情。在这个小镇里，克里斯逐渐感受到了周遭人的诡异之处，当线索一点点累积起来时，他才发现，这次会面的背面隐藏着相当恐怖的阴谋。等待克里斯的是一次充满黑暗和血腥的旅程 [5]。演职员表播报编辑演员表丹尼尔·卡卢亚饰克里斯配音 -艾莉森·威廉姆斯饰露丝配音 -凯瑟琳·基纳饰 Missy Armitage配音 -布莱德利·惠特福德饰 Dean Armitage配音 -Betty Gabriel 饰 Georgina配音 -卡莱伯·兰德里·琼斯饰 Jeremy Armitage配音 -Lyle Brocato 饰 Richard Shaw配音 -Ashley LeConte Campbell 饰 Lisa Deets配音 -马库斯·亨德森饰 Walter配音 -LilRel Howery 饰 Rod Williams配音 -Geronimo Spinx 饰 Detective Drake配音 -Gary Wayne Loper 饰 Chauffeur配音 -Rutherford Cravens 饰 Parker Dray配音 -杰拉尔丁·辛格饰 Philomena King配音 -Jack Teague 饰 Wealthy Party Goer配音 -Jana Allen 饰 Nancy Shaw配音 -Jamie Gliddon 饰 Detective配音 -Brad Spiers 饰 Officer Gause配音 -Julie Ann Doan 饰 April Dray配音 -Christopher Knittel 饰 Officer Frostie配音 -Mark Baynard Baggs 饰 Frederick Walton配音 -Zailand Adams 饰 Chris配音 -特雷·布厄温特饰 Officer Ryan配音 -Caren L. Larkey 饰 Emily Greene配音 -Avery Frawley 饰 May配音 -Lory Tom Thompson 饰 Nelson Deets配音 -Evan Shafran 饰 Travel Passenger配音 -Michael Amstutz 饰 Party Goer配音 -Debra Barone 饰 Celia Jeffries配音 -Ben Ladner 饰 Joshua Shaw配音 -职员表制作人杰森·布朗姆、Ted Hamm、Raymond Mansfield、Sean McKittrick、Shaun Redick、Couper Samuelson、Phillip Dawe、Gerard DiNardi、Beatriz Sequeira、Jeanette Volturno、Marcei A. Brubaker、乔丹·皮尔原著乔丹·皮尔副导演（助理）Maggie Ballard、Gerard DiNardi、Ram Paul Silbey编剧乔丹·皮尔摄影托比·奥利弗配乐Michael Abels剪辑Gregory Plotkin道具Terri Taylor艺术指导Rusty Smith美术设计Chris Craine服装设计Nadine Haders布景师Leonard R. Spears展开演职员表资料来源 [6]角色介绍播报编辑克里斯演员丹尼尔·卡卢亚配音-一名黑人摄影师，克里斯对于自己母亲的死一直有阴影，导致他不敢开车。在一个平淡无奇的周末，前去拜访自己白人女友的家人，没有预料到等待他的是一场阴谋。露丝演员艾莉森·威廉姆斯配音-一名白人，克里斯是她交往4个月的第一个黑人男友，觉得是时候带着男友见自己的爸妈了，露丝表面很担心家人对黑人的看法，其实自己心里知道这个事情复杂性。Missy Armitage演员凯瑟琳·基纳配音-露丝的母亲，是一位心理医师，会催眠，一直对黑人有歧视。她可以对人催眠洗脑，她的每一个动作，每一个眼神，都令克里斯不得不想象，其背后是否有着另一层的涵义。Georgina演员Betty Gabriel配音-是一位行为诡异的黑人女佣，没有人知道她心里想什么，她白天在白人家里伺候着男女主人，夜里总是在屋子里偷偷的照镜子，欣赏自己的容颜。Rod Williams演员LilRel Howery配音-一位机场的巡警，是克里斯好基友。得知克里斯身在危险的环境中，他串联线索，报警，然而警方没人相信，只能凭自己的能力去解救。角色介绍资料来源 [7-8]音乐原声播报编辑专辑类型：原声带、影视音乐专辑曲目专辑曲目1、Prologue2、Sikiliza Kwa Wahenga3、Chris & Rose4、The Deer5、The House6、Meet the Help7、The House Reprise8、Ice Tea9、Jeremy Enough10、Georgina's Silhouette11、Walter's Run12、Georgina at the Window13、Hypnosis14、Investigations15、Garden Party16、Andre Reveal17、Fist Shake18、Blind Art Dealer19、Georgina Weeps20、Get Out21、Ukulele Walk22、Photographs23、Finding the Keys24、The Sunken Place25、Rod's Bing Search26、Educational Video27、Behold the Coagula28、Rod Calls Rose29、Mental Prep30、Teacup TV31、Surgery Prep32、Chris Escapes33、Race for the Teacup34、Jeremy Attacks35、Georgina Hit36、Georgina Attacks37、After the Accident38、Get Him Grandpa39、Walter Shoots40、Rose Returns41、Situation Handled42、End Titles [9]获奖记录播报编辑时间届数奖项获奖方类型2017年第27届哥谭独立电影奖最佳影片《逃出绝命镇》提名 [10]最佳突破导演奖乔丹·皮尔获奖 [11]最佳编剧乔丹·皮尔观众选择奖《逃出绝命镇》最佳男主角丹尼尔·卡卢亚提名第26届MTV电影奖Next Generation丹尼尔·卡卢亚获奖最佳喜剧表演LilRel HoweryBest Actor in a Movie丹尼尔·卡卢亚提名 [12]年度影片《逃出绝命镇》最佳反派艾莉森·威廉姆斯最佳银幕搭档丹尼尔·卡卢亚、LilRel Howery美国国家评论协会奖最佳导演处女作皮尔·乔丹获奖 [13]最佳群像戏《逃出绝命镇》北美年度十佳《逃出绝命镇》第83届纽约影评人协会奖最佳处女作乔丹·皮尔获奖 [14]洛杉矶影评人协会奖最佳编剧乔丹·皮尔获奖 [15]第23届评论家选择奖最佳影片《逃出绝命镇》提名 [16]最佳导演乔丹·皮尔最佳男主角丹尼尔·卡卢亚最佳原创剧本《逃出绝命镇》最佳科幻、恐怖电影《逃出绝命镇》2017年波士顿影评人协会奖最佳男主角丹尼尔·卡卢亚获奖 [17]最佳新电影人乔丹·皮尔2017新墨西哥州影评人协会奖最佳女配角凯瑟琳·基纳获奖 [18]2017年亚特兰大影评人协会奖最佳剧本乔丹·皮尔获奖最佳突破奖乔丹·皮尔获奖年度十佳《逃出绝命镇》第一名 [19]第75届美国电影电视金球奖音乐/喜剧类最佳电影《逃出绝命镇》提名音乐/喜剧电影最佳男主角丹尼尔·卡卢亚《逃出绝命镇》提名 [20]2018年评论家选择奖最佳原创剧本乔丹·皮尔获奖最佳科幻/恐怖片《逃出绝命镇》获奖 [21]2018年1月23日90届奥斯卡金像奖最佳影片《逃出绝命镇》提名最佳导演乔丹·皮尔提名最佳原创剧本《逃出绝命镇》获奖 [3]最佳男主角丹尼尔·卡卢亚提名2018年2月12日2018美国编剧工会奖电影类最佳剧本《逃出绝命镇》获奖 [2]2018年3月19日2018帝国电影奖最佳剧本乔丹·皮尔获奖 [22]2019年11月28日《纽约时报》2010年代最具影响力影片评选最具影响力影片《逃出绝命镇》获奖 [23]2022年21世纪50佳电影《逃出绝命镇》第7名 [26]2022年2022年《视与听》影史最伟大100部影片影评人版《逃出绝命镇》入选 [27]制作发行播报编辑主创公司制作公司1、Blumhouse Productions2、QC Entertainment发行公司1、环球影业（美国）2、Universal Pictures Canada（加拿大）3、Universal Pictures International（英国）上映日期国家、地区上映、发行日期美国2017年2月24日加拿大2017年2月24日爱沙尼亚2017年3月3日英国2017年3月17日 [24]影片评价播报编辑影片将对种族主义者的讽刺和恐怖特别有效地结合到一起，这部乔丹·皮尔的处女作是一枚重磅的社会评论，展现了积极的无所畏惧，当然这并不代表它不惊悚。（《综艺》评）剧照(5张)影片当离开偏执狂的领域进入动作层面，这种暴力十分令人满足，转折也很讨喜。（《好莱坞报道者》评）《逃出绝命镇》无论在概念还是制作上都很惊喜，惊吓永远不会在你以为它要来的时候出现，而隐藏在背后的秘密比你所能想象的都更加大胆。（《村之声》评）《逃出绝命镇》正是观众所期待的带有讽刺意味的恐怖电影，巧妙混合了《猜猜谁来吃晚餐》和《复制娇妻》，但是比任意一部都有趣，也更有启发性。 [25]（《纽约》评）相关报道播报编辑2023年10月，万圣节特供《逃出绝命镇》艺术海报。 [28]大众评分播报编辑网站评分参评人数统计截止日期豆瓣7.83876932023-12-11 [29]时光网7.222662023-12-25 [30]新手上路成长任务编辑入门编辑规则本人编辑我有疑问内容质疑在线客服官方贴吧意见反馈投诉建议举报不良信息未通过词条申诉投诉侵权信息封禁查询与解封©2024 Baidu 使用百度前必读 | 百科协议 | 隐私政策 | 百度百科合作平台 | 京ICP证030173号京公网安备110000020000

关于get out的一些细节（逃出绝命镇）影评

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关于get out的一些细节

壳子

逃出绝命镇

2017-03-11 14:04:39

这篇影评可能有剧透

当初虽然很喜欢get out，但是真没想到能一路打到奥斯卡还拿到最佳编剧！然而一直看到很多，尤其是国内的朋友拿一句“政治正确”来评价本片，讽刺其抛去这个因素不配拿奥斯卡。下文我也说了，其实get out其中隐藏着很多梗，这些梗由于很美国化，可能没有在这个多种族环境中生活过的人并不能理解；我们可以承认这种不理解，也当然有权力觉得电影不好看，但不应该因此而全盘否认一部影片。本人在北美常住，观影的时候电影院的气氛是非常非常好的。再说了，提奥的哪一部影片不是“政治正确”的呢？把多年来遭受不平等待遇的有色人种群体，同性恋群体，女性群体等话题作为电影主题来展现，以呼唤社会对他们更多的关注，有什么不好呢？事实是，有多少人一边讽刺着“政治正确”，又一边用有色眼镜在看待这部电影呢？—————————————————————首先恭喜get out获得奥提～不管怎么说还是一部很精彩的影片。此片虽然归类为惊悚片，但其中有很多涉及种族歧视的细节和黑色幽默值得玩味。很多朋友对这方面可能体会不深，所以少了一些观看乐趣。关于本片中种族歧视的观点，我认为楼中@蟹大ROXIE 的解释可以说很完美了，感谢他的授权，我也把这段话贴在主楼供大家参考：觉得“黑人的唯一意义在于身体强健”也是一种种族歧视啊！种族歧视不是说认为某个人中从头到脚都是一无是处，而是仅仅因为种族不同就区别对待另一个群体。西方还有一种种族歧视是针对亚洲女孩，叫做yellow fever（黄热病）。就是认为亚洲女孩在床上非常性感火辣，但是仅仅因为喜欢亚洲女孩的肉体不断和亚洲女孩约会，就像数猎物般的对亚洲女孩如数家珍。这也是一种种族歧视，只不过藏的有点深，很多人还以为【大力称赞黑人体格强健】或者【说黄种人女生都是性感野猫】是一种称赞，但其实是非常冒犯、非常歧视的行为。PS：有很多精彩评论也值得一看哦～—————————————————————很喜欢这部电影所以刷了两遍，每次电影院都爆满并且气氛热烈大家其乐融融哈哈哈。

想到哪些写哪些，充满剧透剧透剧透剧透剧透剧透剧透剧透剧透剧透慎入。不一定对，欢迎讨论。

1. Chris和rose在一起的时候是rose开车，因为Chris对于自己母亲的死（hit and run)一直有阴影，导致他不敢开车。

2. 关于警察想要查看Chris的id但是rose不让，这个大家肯定都知道为什么了。

3. rose的爸爸dean在给Chris介绍爷爷的照片的时候，说他在运动会上跑步输给了黑人，所以爷爷对黑人的身体有执念，到现在在晚上还会坚持跑步锻炼。

4. Dean跟Chris介绍家里的两个黑人时候说到：we hired them to take care of my parents. After my parents gone, I can't let them go(大概）这句话当时听起来觉得是爸爸想展现自己对于家里两个黑人仆人的友好，但是其实就是字面上的意思。

5. 镇子上的人来开party的时候可以看到Walter和Georgina在车旁边迎接并且和客人拥抱，仔细想想作为仆人这样是不是有点奇怪？因为他们其实是主人啊。

6. Georgina（奶奶）一直在照镜子。一方面是因为她喜欢自己崭新的面孔，一方面也是因为在意额头上手术的伤疤（包括爷爷一直戴着帽子也是这个原因）。

7. 打高尔夫球的强调自己喜欢tiger的夫妇；摸着小哥胸肌问rose是不是黑人x能力比较强的夫妇；问小哥作为African-american的好处和坏处的亚洲人；还有弟弟Jeremy对于黑人身体素质微妙的嫉妒等等。这些别扭又顺理成章的小细节都设计得很妙（当然还有Obama哈哈哈），知道真相以后又觉得西斯空寂。

8. Rose放照片的暗格开了两次（一次Chris出去抽烟的晚上，一次最后他发现照片那里），按理说这个暗格不应该那么容易开着被Chris发现的，有可能是Georgina的潜意识想帮助Chris所以去打开的。

9. 这些照片最后Rose在吃麦片的时候可以看到被挂在她身后的墙上。应该是本来一直挂在墙上的，只是请Chris来了之后比较草率地收了起来。

10. 最后警车来的时候大家其实都倒吸一口气替黑人小哥担心，看到是朋友来了以后鼓起了掌lol11. 朋友跟我说了一个比较悬的猜想，但是蛮有趣的：rose的照片显示他们应该已经诱拐过不少黑人了，但是镇上只有三个，那么其他人去哪里了呢？有可能是爸爸把他们用于了动物实验，比说附近随处可见的鹿。影片开始撞到车的那头鹿的脑子有没有可能是其中一个黑人的呢？12. 说到鹿又想到一些东西…自己认为鹿是导演用来隐喻黑人群体的，鹿在影片中一共出现了三次：一、男女主回家路上撞死一头鹿。这里很佩服导演，用一个情节引出了几个关键，1.黑人小哥由于童年经历对hit and run无法置之不理（所以他后面撞了Georgina也没办法丢下她）2.白人警察搜身件 3.小哥和鹿最后有一个长长的对视… 二、两人回家以后谈起此事，rose爸爸表示：鹿该死。他们又多又烦，撞死一个算一个（大意）。听到这里小哥和银幕前的我们都不太舒服，因为rose爸爸下意识把生命分了三六九等，并且对认为比自己低下的物种表示出冷血和残酷。如果把他话语中的“鹿”换成“黑人”的话，其实他就是赤裸裸地说出了很多种族主义者的心声。本片中的白人无一例外是伪善的，只有在这一刻导演借助爸爸对鹿的态度，揭开了他们伪善的表皮。三、小哥被关在地下室以后，和挂在墙上的鹿头对视，是不是在彼此的眼中看见了自己？最后他用这头鹿的鹿角叉死了爸爸（掌声），也代表着对于种族歧视者的一种反抗吧。

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> 逃出绝命镇

导演:

乔丹·皮尔

主演:

丹尼尔·卡卢亚 / 艾莉森·威廉姆斯 / 凯瑟琳·基纳

类型:

悬疑 / 惊悚 / 恐怖

地区:

美国

上映:

2017-01-23(圣丹斯电影节) / 2017-02-24(美国)

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Get Out videos

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Get Out: Trailer 1

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Get Out (2017)

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Movie Info

Now that Chris and his girlfriend, Rose, have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway with Missy and Dean. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries leads him to a truth that he never could have imagined.

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Rating:

R (Language|Bloody Images|Sexual References|Violence)

Genre:

Horror,

Mystery & thriller,

Comedy

Original Language:

English

Director:

Jordan Peele

Producer:

Sean McKittrick,

Jason Blum,

Edward H. Hamm Jr.,

Jordan Peele

Writer:

Jordan Peele

Release Date (Theaters):

Feb 24, 2017

wide

Rerelease Date (Theaters):

Sep 22, 2023

Release Date (Streaming):

May 9, 2017

Box Office (Gross USA):

$176.0M

Runtime:

1h 44m

Distributor:

Universal Pictures

Production Co:

Universal Pictures,

QC Entertainment,

Blumhouse Productions

Sound Mix:

Dolby Digital, DTS, SDDS

Aspect Ratio:

Scope (2.35:1)

Cast & Crew

Daniel Kaluuya

Chris Washington

Allison Williams

Rose Armitage

Catherine Keener

Missy Armitage

Bradley Whitford

Dean Armitage

Caleb Landry Jones

Jeremy Armitage

Marcus Henderson

Walter

Betty Gabriel

Georgina

LaKeith Stanfield

Andrew Logan King

Stephen Root

Jim Hudson

Lil Rel Howery

Rod Williams

Ashley LeConte Campbell

Lisa Deets

John Wilmot

Gordon Greene

Caren L. Larkey

Emily Greene

Julie Ann Doan

April Dray

Rutherford Cravens

Parker Dray

Geraldine Singer

Philomena King

Jordan Peele

Director

Jordan Peele

Screenwriter

Raymond Mansfield

Executive Producer

Couper Samuelson

Executive Producer

Shaun Redick

Executive Producer

Jeanette Volturno

Executive Producer

Sean McKittrick

Producer

Jason Blum

Producer

Edward H. Hamm Jr.

Producer

Jordan Peele

Producer

Toby Oliver

Cinematographer

Gregory Plotkin

Film Editing

Michael Abels

Original Music

Rusty Smith

Production Design

Chris Craine

Art Director

Leonard R. Spears

Set Decoration

Nadine Haders

Costume Design

Terri Taylor

Casting

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Critic Reviews for Get Out

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Top Critics (90)

Fresh (395)

Rotten (8)

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The Age (Australia)

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Claudia Puig

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Keith & the Movies

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(403)

Audience Reviews for Get Out

Mar 09, 2018

Very clever, brilliantly written and wonderfully uncomfortable neo horror movie, challenging racial stereotypes and viewer' expectations with almost every scene. The acting is as outstanding as the premise and the realization. A pretty wild and fun ride, not without humor but also a pretty gory final act. One of the freshest horror thrillers of recent years and deserving of all the praise it is getting.

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Super Reviewer

Mar 05, 2018

I think I've mentioned this in another review some time ago, I don't remember where or for what movie, but my father is black. I don't have contact with my father nor have I had any contact with him for either 15 or 17 years (the timeline is a bit murky for me), but yes, technically speaking, I am half black. You wouldn't be able to tell this if you were to look at my skin tone, I am one pale asshole, but I am half-black. I can't begin to tell you how often I've wondered how my lie would have turned out had I been born with a different color and I would have been raised in the United States. How my I would have looked at the world differently and how the world would have perceived me or, rather, my skin color. Just something to think about, really. This is certainly very relevant to the film that I am reviewing this early Monday morning. This is gonna be one of those movies that's gonna be difficult to review without spoiling, the biggest joy in this film is going in completely blind and not knowing what's about to happen, but I'm certainly gonna try. Oh, it should also be noted that Jordan Peele won an Oscar for Best Original Screenplay last night and goddamn if it isn't well-deserved. Not only because the concept and the execution thereof is fantastic, but simply because of how thought-provoking and subversive the entire experience is. It doesn't just work as an effective and disturbing horror movie, it works as an exploration of race relations and the views shared by some of the people that gather at Dean and Missy's house for this yearly 'party'. But before we get to that, I just wanna say that sometimes there's movies that people rave about and, as much as you try to avoid it, sometimes you get caught up in that, especially if they're people you trust. Once you come to see these movies, they rarely live up to your own self-created hype. It's just impossible. I know Scott Weinberg (a film critic who happens to be a big horror nerd, I also follow him on Twitter) said that Get Out was the best American horror movie he's seen in 15 years. And it's like, really, dude? It's that great, huh? Guess I'll have to see it for myself. Now that I've seen it and I have witnessed what everybody is talking about for myself, I can say, that in fact, the movie not only lived up to my own expectations, I think it even surpassed them. This is an absolutely amazing movie, but it's also a movie that works in so many more ways than just a straight-up horror movie, because it just isn't a straight-up horror. Part of me often imagines the fact that Jordan Peele, writer and director, used his own real life experiences to craft this movie. His wife is a white woman and I'm certain that, at first, there must have been some awkward interactions between the group. The point is that this movie could have only come from the mind of someone who has actually gone through this and wanted to share that with the rest of the world, except in this movie it's framed as a disturbing horror movie where the privileged white people bid on black people to use for their own...nefarious purposes. That's about the only thing I'm gonna say about it, since I really do not want to spoil anything else. But that's at a later point in the film. Starting out, with Chris and Rose driving to Rose's parents' house where Chris is gonna meet her parents for the first time, there's an incident where they accidentally hit a deer. Chris reacts strangely, at first, like he doesn't want to leave the deer behind, but this is a small hint to Chris' past that we get to explore more in-depth later. Chris arrives to Rose's parents house and finds that they have two black servants. This is a little strange to Chris, but he doesn't put much thought into it. Meeting Dean and Missy, things are a little awkward at first, but he just attributes that to them trying to make sure he's comfortable and at ease around them. You know how some people are, where they go out of their way to be accommodating to a minority, to the point where they're clearly overcompensating for something and that's just as bad, in some respects. Chris has, probably, gone through this before, but it's nothing too bad. He starts to get some weird vibes when he finally interacts with the servants, who seem unnecessarily hostile towards him. Moving on, it is revealed that Dean and Missy's host a party, which I already mentioned, that just happened to coincide with Chris and Rose's visit. Several more affluent families arrive and Chris starts to interact with them and let's just say it's as awkward as you would imagine. Because, again, these people seem to have no filters and they say what's on their mind as it relates to Chris and other like him. They act like they're supporters of the black cause, but their attempts to help end up doing more harm than good. Their attempts end up making the group they claim to support just as uncomfortable as someone who might be against them. The funny thing is that they probably think they're being progressive and open-minded. Like I said, it is uncomfortable, but it's very effective in that there are people out in the world who act exactly like these people. They're unknowingly ignorant. Though, in the case of this film, there's nothing unknowing about these people and their behavior. Given the nature of the film and the introductory character (Andre) later being seen at the party acting completely against type and with a woman 30 years his senior by his side, naturally, theories start to pop into your mind. There's this supporting character, Rod, who provides most of the comedy in the film, that mentions that they're making black people into their sex slaves. Rod takes this theory to the cops at a later point in the film and they just laugh at him. That's not what I had in mind. My theory was that these black people were being reconditioned or 'retrained' to act in order to act how these white people feel that they should act. I don't wanna say that the reveal has SOME of what I theorized, because I couldn't have theorized what I actually saw, but there's hints of it here and there. Having said that, I still don't think you're gonna figure it out. If you're going in blind, at least. The movie is so intelligently-written that even the smallest little scenes can be seen as cleverly keeping the mystery going without really saying much. For example, the whole bidding scene played out in silence, since they didn't wanna tip Chris off to what was happening. It's a surprisingly sinister little scene, because you don't know what they're actually bidding for, you just know that they want Chris for something. The fact that they don't say anything at all during this scene is, really, one of my favorite things about it. At some point in the scene, Chris has conversations with Georgina and Logan (the missing Andre) and there's something clearly off about them. For example, they'd be calm and collected while talking with Chris, but then they'd be just a little part of them that would literally be fighting as hard as they could to tell Chris to just go and get the fuck out. And, again, these scenes are just fantastic. Like, for example, Betty Gabriel, who plays Georgina, is just incredible in how she struggles to say what she wants versus remaining "true" to the family. It's a battle of wills, so to speak, and it is one of the biggest clues in the entire film. Oh and I also forgot to mention that Chris was hypnotized the day before the party by Rose's mother. This is where he reveals his past of his mother being in a hit-and-run, dying from her injuries, while he was at home watching TV, not calling the cops. It's why a certain moment in the climax plays out the way it does, even though you're just begging Chris to leave. It also explains the deer at the beginning. This brings us to the reveal of what these white people do with these missing black folk. I'm not gonna say what they actually do, but it's such an amazing reveal, because it provides you with knowledge that completely changes how you view the movie, for the better. Now, with this information, if you do decide to watch it again, you know what to expect and you can pick up the little details that you may not have noticed the first time out. Maybe even clues that you didn't pick up at first. But, to me, it works even better than that, because now, with what you know, when the party starts taking place, you (the audience) are one of the partygoers in that you know what's gonna happen to Chris, but you are unable to say anything. Not because you want to keep it secret, but because you can't. No matter how hard you try, Chris won't react. This could also be interpreted as saying that us, the viewers, are as much trapped in the sunken place (you'll know what it means) as Chris was when he was hypnotized. There's a reason why the view in the sunken place is shaped like a screen, whether that be a TV or a movie screen. In the sunken place, Chris can still see through his own eyes, but he's unable to do anything about it as the sunken place weighs him down. Definitely metaphorical in that, again, having viewed the film, you can say that you are as much a character in the proceedings as anyone else. Perhaps that's overstating the point, but I do feel that parts of it are very true. Once again, we are all stuck in our own sunken place whenever, however and wherever we watch this film. We are not in control of our actions when we view the film. It's some truly deep shit that actually makes you think about your own actions in society. Like how many times have we seen stuff in our own lives that we could have put a stop to or attempted to, at least, and we haven't done anything. This movie gets into you and it doesn't let go. It truly is a thing of beauty. The acting is tremendous, there's very few horror movies that have as strong of a cast as they do here, but they did a great job at casting everybody. Absolutely everybody here delivers on their end of the deal. Though, to be fair, they had an incredible script to work with. The climactic act itself is absolutely out of this world great, so goddamn satisfying. The alternate ending on the DVD is poignant and makes you think about the justice system in the country, but I'm glad that they stuck with the original, more hopeful ending. Like, really, I hate to almost gloss over this, because the movie does have an incredible climax, but I felt that this offers just so much more than that. The only thing that I was struggling with as I wrote this review was whether to give this 4.5 or 5 stars. I'm going with FIVE FULL STARS. This is my first one for Letterboxd, but it's my first one for RottenTomatoes since, I think, Gravity. I saw Gravity the day before the Oscars in 2014. This one I saw the day of the Awards. It's a pointless little tidbit, but there you go. In conclusion, as corny as this may sound, you don't really watch Get Out as much as you experience it. Rarely have I seen a movie that makes you such a part of its world, its story and its characters as this one. It's impossible to just watch this movie and not become a part of it, whether you even wanted to or not. You are just as hypnotized as Chris was. You are a part of this world, for better or worse. This is a movie that forces you to think and re-evaluate some aspects of your life, at least if you're one of those people the film targets in its satire. And even if you're not, it makes you think about real-world issues and how to resolve them. It also offers an experience that's deeply layered in that it welcomes repeat viewings to find out more about what its world has to offer. This is a movie that will, sadly, be often imitated. Duplicated, however, I find that to be highly unlikely to ever happen. This is a special movie (not to mention amazing too) and it deserves to be seen.

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jesse o

Super Reviewer

Nov 29, 2017

The less you know about this movie before you watch it, the better. It's a creepy, delicious thriller, and one where even when you think you know what might be going on, there's more to it than you realize. There are elements that feel derivative, but on the other hand, Director Jordan Peele tells this story well, and it feels fresh and intelligent. Daniel Kaluuya and Allison Williams turn in very nice performances, and the supporting cast is solid as well. I loved Lil Rel Howery, who plays the friend, a TSA agent who tries to help from afar. There are many great moments - the round of "Bingo" led by the father, Kaluuya seeing the pictures of Williams and her expression on that last one, and the effects going to the "sunken place". It also puts a mirror up to how white people in real life, even well-meaning ones, sometimes talk to African-Americans in their attempts to relate to them or 'be cool' - stilted, with references that often bring up race, and at least sometimes subtly racist. How great it was to see a diverse cast, and to see this perspective, without it being delivered in a heavy-handed manner. It's not original enough to be in a list of greatest ever thrillers, but it's solid and enjoyable from beginning to end.

Show Less

Super Reviewer

Nov 15, 2017

From Jordan Peele comes the political horror film Get Out. When Chris goes on a weekend getaway with his white girlfriend to meet her family he gets a strange vibe from the black servants, and starts to suspect that something sinister is going on after he recognizes a fellow guest who appears to have been brainwashed. The storytelling is especially well-done and has a Shyamalan-like feel; slowly turning a normal situation into something frightening and bizarre. However, the political theme of the "post-racial lie" is a bit muddled and doesn't really add much to the film (which works better as straight horror). Yet while it has some weaknesses, Get Out is a provocative and disturbing film that delivers a fresh take on some classic horror themes.

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【预告片】《逃出绝命镇(Get out)》中英双语_哔哩哔哩_bilibili

【预告片】《逃出绝命镇(Get out)》中英双语_哔哩哔哩_bilibili 首页番剧直播游戏中心会员购漫画赛事投稿【预告片】《逃出绝命镇(Get out)》中英双语

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21859127黑人小伙克里斯（丹尼尔·卡卢亚饰）和他的白人女朋友露丝（艾莉森·威廉姆斯饰）相处到了见父母的阶段，她邀请他去自己父母家度周末。起初，克里斯把她家人过度热情的行为，解读为他们对女儿的跨种族恋爱的紧张应对。但随着时间的推移，一系列令人不安的发现使他认识到一个难以想象的真相，这一切背后是一个邪恶的种族阴谋。影视影视剪辑惊悚预告片逃出绝命镇

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逃出绝命镇 - 知乎

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Get Out movie review & film summary (2017) | Roger Ebert

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Get Out

Brian Tallerico

February 24, 2017

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This review was originally published on January 24, 2017, as a part of our Sundance Film Festival coverage.With the ambitious and challenging “Get Out,” which premiered in a secret screening at the 2017 Sundance Film Festival, Jordan Peele reveals that we may someday consider directing the greatest talent of this fascinating actor and writer. We knew from his days on “Key & Peele” and in feature comedies that he was a multiple threat, but his directorial debut is a complex, accomplished genre hybrid that should alter his business card. “Get Out” feels fresh and sharp in a way that studio horror movies almost never do. It is both unsettling and hysterical, often in the same moment, and it is totally unafraid to call people on their racist bullshit. When he introduced the film in Park City, he revealed that it started with an attempt to write a movie he hadn’t seen before. We need more directors willing to take risks with films like "Get Out."

To be fair, Peele is clearly riffing on some films he has seen before, including “The Stepford Wives” and “Rosemary’s Baby,” although with a charged, racial twist. His film is essentially about that unsettling feeling when you know you don’t belong somewhere; when you know you’re unwanted or perhaps even wanted too much. Peele infuses the age-old genre foundation of knowing something is wrong behind the closed doors around you with a racial, satirical edge. What if going home to meet your girlfriend’s white parents wasn’t just uncomfortable but downright life-threatening? “Get Out” opens with a fantastic tone-setter. A young man (the great Keith Stanfield, in two other movies at this year’s Sundance and fantastic on FX’s “Atlanta”) is walking down a suburban street, joking with someone on the phone about how he always gets lost because all the streets sound the same. A car passes him, turns around, and slowly starts following him. It’s an otherwise empty street, so the guy knows something is wrong. Suddenly, and perfectly staged in terms of Peele’s direction, the intensity of the situation is amplified and we are thrust into a world in which the safe-looking suburbs are anything but. Cut to our protagonists, Chris (Daniel Kaluuya) and his girlfriend Rose (Allison Williams of “Girls”), preparing to go home to meet her parents. Rose hasn’t told them he’s black, which she blows off as no big deal, but he’s wary. His TSA Agent buddy (a hysterical LilRel Howery) warns him against going too, but Chris is falling in love with Rose. He’ll have to meet them eventually. And Rose swears her dad would have voted for Obama a third time if he could have. From the minute that Chris and Rose arrive at her parents’ house, something is unsettling. Sure, Dean (Bradley Whitford) and Missy (Catherine Keener) seem friendly enough, but almost too much so, like they’re looking to impress Chris. More unnerving is the demeanor of a groundskeeper named Walter (Marcus Henderson) and a housekeeper named Georgina (Betty Gabriel), who almost appear to be like the pod people from “Invasion of the Body Snatchers.” There’s just something wrong. But, as we so often do in social or racial situations, Chris keeps trying to excuse their behavior—maybe Walter is jealous and maybe Georgina has an issue with Chris being with a white woman. The lurking presence of Rose’s odd brother (Caleb Landry Jones), who often looks like he’s auditioning for a remake of “A Clockwork Orange,” doesn’t help. Chris goes out to have a smoke one night, and, well, things start to get even stranger in ways I won’t spoil—in fact, the preview gives away way too much. Avoid it if you can.

“Get Out” is a slow-burn of a film for its first half as Peele piles up the clues that something is wrong. Or could Chris just be overreacting to everyday racial tension? Peele’s greatest gift here is in the way he walks that fine line, staging exchanges that happen all the time but imbuing them with a greater degree of menace. As white partygoers comment on Chris’ genetically-blessed physical gifts, the mind is racing as to what exactly the greater purpose of this visit is for this young man, a minority in a sea of white people who seem to want to own him, which is itself a razor-sharp commentary on the way we often seek to possess cultural aspects other than our own. Then Peele drops his hammer. The final act of “Get Out” is an unpredictable thrill ride. As a writer, Peele doesn’t quite bring all of his elements together in the climax in the way I wish he would, but he proves to be a strong visual artist as a director, finding unique ways to tell a story that goes increasingly off the rails. The insanity of the final act allows some of the satirical, racially-charged issues to drop away, which is slightly disappointing. He’s playing with so many interesting ideas when it comes to race that I wish the film felt a bit more satisfying in its payoff, even if that disappointment is amply offset by the pure intensity of the final scenes, during which Peele displays a skill with horror action that I didn’t know he had. Peele works well with actors too, drawing a great leading man turn from Kaluuya, letting Williams essentially riff on her “Girls” persona, and knowing exactly what to do with Whitford & Keener, both of whom have always had that dangerous edge to their amiability. They’re excellent at working something sinister into their gracious host routines. Most importantly, Peele knows how to keep his concept front and center. “Get Out” is not a film that takes breaks for comedy routines (even if Howery allows a little relief, it's often in the context of how he's convinced all white people want black sex slaves), keeping us on edge and uncertain from the opening scene to the final one. He understands that every time a black man goes home to visit his white girlfriend’s parents, there is uncertainty and unease. He’s merely turning that up, using an easily identifiable racial tension to make a horror movie. Many of our greatest genre filmmakers have done exactly the same thing—amplifying fears already embedded in the human condition for the purpose of movie horror. We just don’t often see something quite so ambitious from a February horror flick or a first-time director. Even if the second half doesn’t quite fulfill the promise of the first, Peele doesn’t just deserve credit for trying something so daring; he should have producers knocking down his door to see what else he’s never seen before.

Horror

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

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Film Credits

Get Out (2017)

Rated R

Cast

Daniel Kaluuya

as Chris

Allison Williams

as Rose

Catherine Keener

as Missy

Bradley Whitford

as Dean

Keith Stanfield

as Andre Hayworth

Marcus Henderson

as Walter

Director

Jordan Peele

Writer

Jordan Peele

Cinematographer

Toby Oliver

Editor

Gregory Plotkin

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imtoken官网下载安装ios|getout

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逃出绝命镇 (豆瓣)

如何评价电影《逃出绝命镇》? - 知乎

GET OUT中文(简体)翻译：剑桥词典

Get Out (2017) - IMDb

逃出绝命镇_百度百科

关于get out的一些细节（逃出绝命镇）影评

Get Out | Rotten Tomatoes

【预告片】《逃出绝命镇(Get out)》中英双语_哔哩哔哩_bilibili

逃出绝命镇 - 知乎

Get Out movie review & film summary (2017) | Roger Ebert

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逃出绝命镇 (豆瓣)

如何评价电影《逃出绝命镇》? - 知乎

GET OUT中文(简体)翻译：剑桥词典

Get Out (2017) - IMDb

逃出绝命镇_百度百科

关于get out的一些细节（逃出绝命镇）影评

Get Out | Rotten Tomatoes

【预告片】《逃出绝命镇(Get out)》中英双语_哔哩哔哩_bilibili

逃出绝命镇 - 知乎

Get Out movie review & film summary (2017) | Roger Ebert

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